Other-Worldly, Party Music of the Past, Present and Future, New Planets is an ever evolving cast of singers and players. Blending countless sonic narratives and perspectives, the group has become known for creating dance music defying borders and genres.

Music has guided Driftwood to hallowed ground many times since its founding members, Joe Kollar and Dan Forsyth, started making music as high schoolers in Joe’s parents’ basement. Whether the Upstate New York folk rock group—which today also includes violinist Claire Byrne, bassist Joey Arcuri, and drummer Sam Fishman—are converting new fans on a hardscrabble tour across the country or playing to a devoted crowd at hero Levon Helm’s Woodstock barn, the band’s shapeshifting approach to folk music continues to break new ground. And yet in many ways Driftwood’s latest work, the transformative December Last Call, finds the group coming home. 

Recorded in that very same basement where the Driftwood dream began, December Last Call lyrically reflects on the recent past, musing on the ways the group grew up, together and apart, through curveballs like new parenthood or pandemic shutdowns. But sonically, the band’s sixth album looks confidently to the future, experimenting with new sounds while staying true to the bluegrass roots that built them. Across the album’s nine tracks, the band often leans into hard-rocking electric guitars and driving percussion: On “Every Which Way But Loose,” we get a foot-tapping beat and a sweeping chorus, and on “Up All Night Blues,” the band shines with an ambling, sing-along-able reflection on the challenges of new motherhood. But other tracks, like standout closer “Stardust,” take a simpler route, allowing bare-bones vocals and acoustic instrumentals to underpin a deeper emotional message.

One of Driftwood’s biggest differentiators—and perhaps its biggest strength—is the sheer breadth of talent in its lineup, with Claire, Joe, and Dan all contributing as songwriters and vocalists. This creative push-pull, where each selects songs to share with the group and record together, bakes vulnerability and collaborative spirit into every recording. “It’s at the heart of what we do,” says Dan. “Everybody has a strong love for songs, for songwriting, and we each appreciate everybody else and the way that they contribute to that.” 

While 2019’s acclaimed Tree of Shade tapped Simon Felice as producer, the band opted to self-produce this latest effort, leaning into their creative impulses and striving to capture their distinctive live energy. Figuring out how to channel that on-stage intensity into a recording has actually, in many ways, been a lesson in restraint. “When I look back at the things we were writing and playing, oh, I don’t know, 10, 12 years ago, they were really arranged: a lot of you do this here, we’re going to do this there, we’re going to break down, we’re going to do a big build,” Claire explains. “These days, it’s more like, ‘Let’s play the song and just see what happens.’”

This approach makes all the more sense when you consider Driftwood’s live shows, which operate not only as effervescent, twang-studded musical parties, but also as reunions for their throng of devoted listeners—folks who have started to feel less like fans and more like something bigger. “They’re supporters. They’re friends,” explains Joe. “It’s crazy how much love we’ve got and how many wild situations on the road we’ve gotten out of because of those people.” Many of them are quite literally invested in the band’s future: December Last Call was a crowd-funded effort, and it wasn’t the band’s first. It’s as if every listener, ticketbuyer, album backer, and general band evangelist is in on Driftwood’s biggest secret: this whole band thing has endured for nearly two decades because it offers a kind of community you can’t get just anywhere.

“Driftwood is basically a beautiful friendship that happens to play music together,” says Joe. “I know it’s rare. I know I’m lucky to know these people and lean on them and go through these massive life changes together.” For Driftwood, each song is like a journal entry: cathartic to create, yes, but capable of unlocking new lessons—and when shared—forging new bonds. “We’re communal, right? Humans need to be connected,” Joe says. “And we get to have this special thing.”

Big Rail presents John “Papa” Gros

With special guest The Billy Price Band

John “Papa” Gros (pronounced Grow) is a New Orleans pianist, organist and singer-songwriter whose career reflects the city itself resilient, rhythmic, steeped in tradition, and always evolving. For more than thirty years, Gros has served as both a keeper and a translator of New Orleans music, blending funk, R&B, jazz, blues, rock, and Americana into a sound that is deeply rooted yet forward-looking.

Born in New Orleans, Gros embodies his hometown’s culture and deeply rooted traditions, absorbing its music and spirit. He began playing piano and French horn at age eleven and attended Loyola University in uptown New Orleans, graduating with a degree in French horn performance. While his formal training provided discipline and technique, Gros’ real education came from the school of hard knocks in the clubs and on the streets—learning the language of groove, feel, and restraint from the musical elders who had built the city’s sound.

That apprenticeship took shape in the ’90’s, when Gros evolved into a first-call sideman for some of New Orleans’ most revered artists. His tenure with George Porter Jr.’s Runnin’ Pardners placed him in direct lineage with The Meters and the architects of New Orleans funk, while tours with Snooks Eaglin, Earl King, Better Than Ezra, Anders Osborne, Irma Thomas and others sharpened his musical instincts and sense of purpose. These years cemented Gros not just as a formidable keyboardist, but as a musician entrusted with carrying cultural weight.

Gros’ keyboard style, equal parts Professor Longhair, Dr. John, Art Neville and Randy Newman, follows in the great New Orleans piano tradition while forging a modern and innovative style and sound, placing him in direct lineage with and a torchbearer for the next generation of New Orleans greats.

The Billy Price Band

Billy Price first attracted national attention during his three-year association with guitarist Roy Buchanan. Price is the vocalist on two of Buchanan’s LPs, That’s What I’m Here For and Live Stock. Since then, with the Keystone Rhythm Band, the Billy Price Band, and solo projects, Billy Price has recorded and released a total of 21 albums, CDs, and DVDs.

Price’s album This Time for Real, with the late Chicago soul singer Otis Clay, received a 2016 Blues Music Award in the category of best soul blues album. He was nominated 11 times for BMAs between 2019 and 2025 and won the 2024 Bluebird Reviews Lifetime Career Award in the U.K.

Person of Interest (2024) on the Little Village label was nominated for 2025 BMAs for Soul Blues Album and Album of the Year. Price’s new album featuring the Billy Price Band is titled Random Madness (May 1, 2026 on GetHip Label).

The Billy Price Band, based in Billy’s hometown of Pittsburgh, Pa., consists of Dave Dodd (drums), Tom Valentine (bass), Ian Arthurs (guitar), Jim Britton (keyboards), Eric Spaulding (sax), and Joe Herndon (trumpet).

Buffalo Rose is a singularly spectacular six-piece band from Pittsburgh, PA. Overflowing with the bold and unfettered joy of their inimitable blend of “Theatre Kid Americana,” a Buffalo Rose show is a celebration of creative wonder; a sparkling sonic delight. Their live show is where their energy fully shines, and songwriting is their lodestar. The band’s recorded catalog is full of vibrantly emotive and methodically arranged songs, sure to thrill the mind and charm the heart.

Asleep in your heart for 19 years, Idiosympathy is awakening in 2026 for two big reunion concerts: First at Mr. Smalls Funhouse Friday June 19th (get Mr. Smalls tickets by clicking here) and at Big Rail Brewing June 20th (tickets available here through SimpleTix).

When the band said goodbye in 2007, they left behind two self-produced releases that stood the test of time: The 2007 full length Overachiever In Love, and the 2005 EP We Have Lost Our Self Control. Both were re-released on all the major streaming services in 2025, to the surprise and delight of a dormant fan base.

Both reunion concerts promise to revive what stood out about Idiosympathy shows: thick textures, driving rhythms, memorable melodies, intricate arrangements, and soaring vocals… with both old and new tunes and some brand new twists. The four original members will be teaming up with two new players, John DeCola and Brian Schultz, to deliver the full instrumentation from the albums and more.

The band is also pleased to announce a limited, 100 copy vinyl run of Overachiever In Love. The LP will be available for pre-order through the ticket page for the Big Rail show, and will be available for sale at both shows (if they don’t sell out from pre-orders).

Visit the Idiosympathy web site >>

Idiosympathy is teaming up with their old friends School Of Athens, and new friends Posterchild and Gary Musisko. Check them out if you have a chance. (Gary is playing at the Mr Smalls show, and School of Athens at the Big Rail show. Posterchild is sharing the bill at both shows.)

“Whenever we’re onstage, we’re just trying to throw a party,” says Clay Street Unit’s Sam Walker. “Life’s hard enough already. We want to remind people to let loose, love each other, and enjoy themselves.”

Celebration. Catharsis. Friendship. It’s all part of Sin & Squalor, Clay Street Unit’s full-length debut. Recorded in the foothills of the Rocky Mountains and inspired by the sounds of the Appalachians, it’s a record that blurs the borders between genre and geography. The result is a singular interpretation of American roots music — a sound that mixes the acoustic instrumentation of bluegrass and folk with the amplified energy of Americana and country. Driven forward by drums, sharp songwriting, and the chemistry of six good friends and musical brothers who’ve shared countless hours on stage, Sin & Squalor doesn’t just nod to Clay Street Unit’s wide spread of influences; it reshapes them into something new.

As a band that strives to maintain a healthy equilibrium between their diverse musical backgrounds and the traditional Appalachian sounds, they have wowed audiences across the entire spectrum. This progressively minded Bluegrass act truly feels at home on any stage. They’ve provided direct support for bluegrass legends such as The Seldom Scene, Frank Solivan and Dirty Kitchen, Yonder Mountain String Band and Larry Keel. On the other side of that coin, they aren’t afraid to get weird at a late night festival slot and have become well known for their tastefully balanced and refreshingly diverse song-writing. Catch their live show and you’ll be sure to receive a full helping of hard-driving bluegrass favorites and heart-wrenching country ballads. Dig into their recorded originals, however, and you’ll find tracks ranging from thoughtful folk lyricism to gritty tales of harrowing adventure.

The Plate Scrapers’ passion for bluegrass and performing shines through their music and performances.  Such is evident in their musical prowess and creative chemistry on stage, guaranteeing a unique and immersive experience each time. The band continues to be fueled by loyal fans and an unrelenting drive to continue moving forward…casually.

Celebrate the arrival of Alyssa Hankey’s anticipated upcomping full-length album, Good Country People, at Big Rail Brewing on July 17th.

Good Country People feels less like a polished narrative and more like a series of lived-in scenes, smoky bars, long highways, motel rooms, pine-covered hillsides, and the quiet moments that sit between love and consequence. Across the record, Hankey writes about blue-collar survival, reckless romance, loyalty, and personal escape, creating characters that are flawed, human, and deeply recognizable.

A traveling troubadour born and raised in the hills of rural western Pennsylvania. Alyssa’s music is unmistakable, with influences that span across many genres. She has released various albums and embarked on several cross-country tours. She also formed Alyssa Hankey & The North Woods, a band that combines folk, country and rock. You can find them playing in and around the Pittsburgh area. Hankey has also shared the stage with artists such as The Clarks, John R Miller, Tommy Prine, Warren Zeiders and Charles Wesley Godwin.

You’ll find her music on Itunes, Spotify, Bandcamp, Google Play, Youtube, etc

Fruition. Three songwriters. Five bandmates. More than 15 years together, building a grassroots audience with a combination of stacked vocal harmonies and collaborative, song-driven Americana. Fruition is proof that there’s strength in numbers. The bandʻs recent releases have showcased a reinvigorated group at the peak of its powers. This is American roots music at its broadest and boldest — a melting pot of rock, soul, folk, and pop. What began as a busking string band has evolved into something more eclectic, rooted not only in the unique delivery of three different singers, but also the cohesion of five friends who prefer their music to be homegrown and honest… mistakes and all. “…there’s a brittle wisdom on this album, a sense of having to piece oneself back together and finding strength in a shared voice,” said Rolling Stone of their 2024 album, How To Make Mistakes. You can expect more music and a new album later this year.

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The second annual Ghost Town Music Festival

Presented by Smilo & The Ghost, Big Rail Brewing Company, and Blue Moon Management

Ghost Town Music Festival takes place August 8th for a full day of music and community.

Gates open at 11:00 AM, with live music starting at 12:00 noon. Enjoy great bands, local vendors, food trucks, and an easy going outdoor atmosphere built around good vibes and connection.

All ages welcome. Rain or shine.

Lineup

Main Stage Acts:

• Smilo & The Ghost
• Jeremy Pinnell
• Paul McDonald & The Mourning Doves
• Magnolia Boulevard
• Bill Taylor

Shack Stage Acts:

• Colton Bowlin
• Joshua Milligan
• Coltt Winter Lepley
• Gracie Yates & Brock Burton
• Charity Nuse

Music All Day

Big Rail’s beer garden gates will open at 11am.… come early so you can get a cozy spot for the day.

The music starts at 12 noon. We’ll have two alternating stages going, so the music will run non-stop until the festival ends at 10pm. The full schedule will be announced prior to the show.

The VIP Experience

The Ghost Town Music Festival VIP experience is limited to just 35 passes and is designed for those who want to settle in early and soak up every part of the day.

VIP guests receive early access to the grounds, first crack at merch lines, and the freedom to choose the perfect spot to post up for the festival. You’ll get a VIP lanyard and an exclusive invitation to sound check with our headliners, including an early tune or two before the day officially begins.

VIP also includes a free 22oz bomber of the first-ever Ghost Town Beer (style to be announced), a commemorative Ghost Town beverage glass, a Ghost Town koozie and sticker, and a concert poster signed by available artists.

Limited. Intimate. Unforgettable.

Traveling for this event?

Have an easy and stress-free time by staying at the Holiday Inn Express, Grove City PA. Receive FREE shuttle service to and from Big Rail Brewing with your stay:

• $159+tax per room (per night). Rates valid Friday 8/7 and Saturday 8/8
• Call 724-748-5514 for the “Ghost Town Music Festival Room Block”
• Online booking link: Ghost Town Music Festival Room Block 
• ** Hotel will contact you directly with shuttle details and times by 7/31** 
• Last day to book reservations: Friday, July 10, 2026

Tickets for this event are non-refundable. Read our FAQs.

The Band will re-create the legendary Graffiti Showcase performance that ultimately became the “Alcohol Abuse Live” record. This launched them into the regional zeitgeist as THE band not to miss, because you never knew what would happen on stage next! The audiences were electric, and that show was absolutely bananas!  

The band is back in that rare form once again and prepared to bring the blistering insanity of 1999 back to the stages of Western PA this summer!

Here is a bio if you want more

About The Buzz Poets:
FACEBOOK | LISTEN

Buzz Poets have been one of Pittsburgh’s most colorful, maniacal and solid bands since 1997 when the flashy and trashy band of rockers first hit the Pittsburgh music scene. Their high energy, alt rock style got people’s attention not only for the stage antics and lyrical content, but for having very well written and memorable songs. The music is all over the map stylistically demonstrating the bands love for everything from the pop punk and ska sounds of 311 and Sublime to Seattle grunge rock, to hip hop and reggae, and of course their love for the Beatles as a songwriting foundation is apparent. Having written some classic radio hits like “Copenhagen Girl”  “Psycho”, and “Parasite” the band played 200+ shows a year for many years, but the most meaningful song the band has ever written is “Angel Eyes” about the tragic loss of a dear friend. These days the band makes rare reunion appearances and consists of Tipper (Vocals, Guitar) Phil MacDowell (vocals, guitar) Tim Gaber (bass, vocals), Justin Sarra (keys, turntables), Ronnie Lavella (drums) and Juan Vasquez (guitar, vocals) The guys continue to bring the energy and the music that the loyal fans have known and loved for decades.