About Cole Chaney

When it comes to his latest album, In the Shadow of the Mountain, 25-year-old singer-songwriter Cole Chaney is pretty candid and blunt about who he is and what kind of music he wants to make — the result of which, this stunning offering from an artist wise beyond his age.

“There’s a yin to every yang,” Chaney says. “I want nothing more than for people to be creatively fulfilled, and to do what they want. But, for me to preach that? I have to practice it.”

That attitude resides at the core of the record, where the trajectory of the songs seemingly — more so purposely — shoot off in the opposite direction of many of his contemporaries in the Americana, country and folk music scenes. In truth? Chaney is summoning his rock roots.

“I’m not concerned with being labeled as ‘country’.“There’s not a lot of  music being released right now that is doing anything for me. I made something that I would want to listen to.”

About The Local Honeys

The Local Honeys blend traditional Kentucky music with modern soundscapes and original songwriting. Fuzzed out guitar and a vibey rhythm section set the sonic bedrock to showcase the entwinement of old-time banjo and fiddle styles at the forefront of their sound. The Honeys understand the complexities of contemporary Appalachian life and their music is reflective of such through raw and emotive songs. The narratives and perspective they weave into song, the deep understanding and endearment they share for hillbilly music, and their undeniable charm make it clear the duo is poised to become defining voices of a new Appalachia. 

Whiskey River is the premier Willie Nelson tribute act – The band’s authentic show will play the old favorites, some staples of the Willie live show, and present a journey through the iconic songbook of Willie Nelson. This band features a crew of Pittsburgh all stars including Shane McLaughlin, Jason Borisoff, Dave Shepherd, Kevin Lynch and Treasure Treasure. Grab a ticket and saddle up for a night of classic outlaw country celebrating one of the greatest artists and songwriters of our time!

Musical Mad Scientist, Keller Williams, is best known for his whimsical lyrics, guitar prowess and for creating samples on the fly in front of the audience, a technique called live phrase sampling or looping, with nothing pre-recorded. The end result often leans toward a hybrid of alternative folk and groovy electronica, a genre Keller jokingly calls “acoustic dance music” or ADM.” 

BIO

Virginian, Keller Williams, released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE, SYNC, RAW, SANS, ADD, SPEED, CELL, DROLL and now DEER. Each title serves as a concise summation of the concept guiding each project. Keller’s albums reflect his pursuit to create music that sounds like nothing else. Un-beholden to conventionalism, he seamlessly crosses genre boundaries. The end product is music that encompasses rock, jazz, funk and bluegrass, and always keeps the audience on their feet. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar, bass, guitar synthesizer and drum samples; a technique called live phrase sampling or “looping”. The end result often leans toward a hybrid of alternative folk and groovy electronica, a genre Keller jokingly calls “acoustic dance music” or ADM.” Keller’s constant evolution has led to numerous band projects as well; Keller & The Keels, Grateful Grass, KWahtro, Keller and the Travelin’ McCourys, Grateful Gospel, More Than A Little and most recently DeadPettyKellerGrass. You can even catch him from time to time going back to his troubadour roots with his “Shut the Folk Up and Listen” series.   Keller can be found playing clubs and festivals with these projects and his tried and true solo looping show, always changing things up and keeping moving. 

Our annual bluegrass festival returns, in APRIL! We’re looking forward to much warmer temps this year! Join us for a full day of great music, vendors, fires, and food trucks.

2026 Lineup:

• Larry Keel’s Electric Larry Land
• Full Cord
• Debutants
• Sweaty Already String Band
• Hot Brown Smackdown
• Slag Mountain

Vendors

• Coming Soon

Food Trucks

• Coming Soon

Larry Keel is an award-winning innovative flat picking guitarist and singer/songwriter hailing from Appalachia and currently residing in historic Lexington, VA. Raised in a musical family steeped in the mountain culture of the region, Keel began from an early age to forge a distinctive sound, taking bluegrass and classic country music and infusing those styles with a rock edge and elements of improvisational jazz.

The Dirty Grass Players and Smilo & The Ghost will be teaming up for a co-headline show on the Big Rail Stage!

Band Bios

Smilo & the Ghost is an Americana-grit folk band born from the rustbelt and rooted in redemption. Fronted by singer-songwriter Tyler Smilo, the band blends raw lyricism with vintage tones, cinematic storytelling, and a touch of cosmic twang. Their sound drifts somewhere between dusty desert highways and dimly lit city bars — a fusion of folk, alt-country, and soul with deep emotional bite.

Formed in Erie, PA in 2016, Smilo & the Ghost have shared stages with Grammy winners, national acts, and underground legends alike. Their discography includes Ghost Writers, Fingers Crossed & Godspeed, and the live album Live from PACA, with their newest record Twang & Fire capturing both fire and fragility in a post-pandemic world. Smilo’s lyrics are deeply personal, often exploring recovery, survival, and the ghosts we carry — because he’s lived it.

More than a band, Smilo & the Ghost is a movement of misfits, musicians, and truth-tellers. Whether it’s on stage or on the record, the band invites you to feel something real — and maybe even find a piece of yourself in the process.

Visit their web site >>

The Dirty Grass Players are an energetic explosion of old-time pickin’, coloured with an inventive, newgrass hand, that is given lyrical life by their soaring vocal harmonies that exist on an ethereal plain. They live at the crossroads between the traditional, which is the backbone of what they do, and the progressive with their innovative forward-thinking approach. The Dirty Grass Players, with their steady, workman-like precision and loose adventurous spirit are a band that can both confound Bill Monroe and cause him to smile uncontrollably. Their music is progressive, traditional, experimental, imaginative, and at its core, Dirty.

The Dirty Grass Players formed in 2015 with guitarist Ben Kolakowski and mandolinist Ryan Rogers at a series of informal picking sessions in the Baltimore area. The band quickly started to garner attention in the area, culminating in them winning the competitive Charm City Bluegrass Festival Battle of the Bands in 2017. The band’s original bassist and fiddler left shortly after and they solidified around the addition of bassist Connor Murray. In 2024, Sam Guthridge joined on banjo and the band reemerged as a powerful four-piece.

Since then they have released two albums, 2020’s Beneath the Woodpile and 2023 Shiny Side Up and established themselves as one of the most exciting young bluegrass bands around. With their high-octane shows they have become a mainstay on the festival circuit, being invited to play at some of the the most prestigious gatherings from coast to coast including Delfest, Grey Fox, Kingman Island, Hot August Music Festival, Dark Star Jubilee, Ramble Fest, First Class Music Fest, and many others.

Their latest album Shiny Side Up, produced by The Travelin’ McCourys’ Coldy Kilby, continues to further the evolution of bluegrass with its hard-driving sound that showcases the progressive, darkside of bluegrass with its forward-looking, non-traditional playing and songwriting. In its praise of the album, Bluegrass Unlimited says, “Shiny Side Up validates the arrival of the Dirty Grass Players onto the scene and shows bluegrass is in good hands going forward.

Visit Their Web Site >>

Jim Donovan and The Sun King Warriors are best described as a blend of rhythm heavy roots rock, with a strong dose of big barreling drums. Think bluesy Zeppelin-esqe bombast, Santana style percussion with wild Avett Brothers energy.

At a Sun King show, you can expect to dance, sweat and have the time of your life.

The band’s music has garnered radio airplay throughout the US and Canada, and has appeared on Billboard’s Americana chart multiple times.

The band plays regionally at festivals and clubs throughout the mid-atlantic and have opened for 10,000 Maniacs, Donovan’s former band Rusted Root and many others.

Jim Donovan, the band’s founder and writer brings almost three decades of experience to the Sun King Warriors. As a member of the popular 90’s band Rusted Root, he helped shaped the group’s sound and toured with legendary including The Grateful Dead, members of Led Zeppelin, Carlos Santana and the Allman Brothers.

He also co-authored the band’s biggest hit, “Send Me on My Way,” which has been streamed over 100 million times on Spotify and used as the wakeup music for NASA’s Mars rover.

Press quotes:

“Jim Donovan and Sun King Warriors are one of the most eclectic and exciting bands to come out in some time…” -The Washington Times
“Sun King Warriors channel unabashed enthusiasm into a series of songs that are both rowdy and rejuvenating…” -Relix Magazine

Buffalo Wabs and the Price Hill Hustle hail from Cincinnati where they have been crafting a sound that is both rooted in tradition and refreshed by modern sensibilities. This four-piece ensemble confronts the raw expanse of American music, fashioning a live music experience more akin to a bygone era of sweltering summer tent revivals and introspective meditations of the human condition.  

Leaning into the foundations of folk, old-time, and early country and bluegrass, the Hustle has molded a unique blend of these traditions with contemporary influences of psych rock, raucous performative gyrations, and a growing catalogue of personal storytelling to offer a product solely their own.  Strong vocal leads from Casey Campbell, the drummer, and Matt ‘Wabs’ Wabnitz, the guitarist, anchor a sonic landscape full of lilting harmonies and powerful counter-melody; and with the multi-instrumental leads of Scott Risner and Bill Baldock abounding the audience is guided through a show that defies most genre labeling and denominations.  The Hustle aims to take its’ legions to a church experience regardless of an individual’s origins; all are welcome and encouraged to embark on the journey.  

The group’s upcoming recordings and albums expand on the already thick palette by adding new voices and layers, sometimes leading the group to perform as a six-piece ensemble.  New music slated for mid-Spring 2026 promises to be both a departure from previous endeavors while holding fast to the core of the passion and performance that has laid the foundation for the past thirteen years, leading to a devoted and committed fanbase across the globe.  Jumping from banjos, to fiddles, to electric guitars, to four-part harmonies keeps the audience wholly enthralled with what may be coming next… And with the growing directions of the Hustle, that anticipation will lead folks on a most exciting mission of new music exploration. 

Other-Worldly, Party Music of the Past, Present and Future, New Planets is an ever evolving cast of singers and players. Blending countless sonic narratives and perspectives, the group has become known for creating dance music defying borders and genres.

Music has guided Driftwood to hallowed ground many times since its founding members, Joe Kollar and Dan Forsyth, started making music as high schoolers in Joe’s parents’ basement. Whether the Upstate New York folk rock group—which today also includes violinist Claire Byrne, bassist Joey Arcuri, and drummer Sam Fishman—are converting new fans on a hardscrabble tour across the country or playing to a devoted crowd at hero Levon Helm’s Woodstock barn, the band’s shapeshifting approach to folk music continues to break new ground. And yet in many ways Driftwood’s latest work, the transformative December Last Call, finds the group coming home. 

Recorded in that very same basement where the Driftwood dream began, December Last Call lyrically reflects on the recent past, musing on the ways the group grew up, together and apart, through curveballs like new parenthood or pandemic shutdowns. But sonically, the band’s sixth album looks confidently to the future, experimenting with new sounds while staying true to the bluegrass roots that built them. Across the album’s nine tracks, the band often leans into hard-rocking electric guitars and driving percussion: On “Every Which Way But Loose,” we get a foot-tapping beat and a sweeping chorus, and on “Up All Night Blues,” the band shines with an ambling, sing-along-able reflection on the challenges of new motherhood. But other tracks, like standout closer “Stardust,” take a simpler route, allowing bare-bones vocals and acoustic instrumentals to underpin a deeper emotional message.

One of Driftwood’s biggest differentiators—and perhaps its biggest strength—is the sheer breadth of talent in its lineup, with Claire, Joe, and Dan all contributing as songwriters and vocalists. This creative push-pull, where each selects songs to share with the group and record together, bakes vulnerability and collaborative spirit into every recording. “It’s at the heart of what we do,” says Dan. “Everybody has a strong love for songs, for songwriting, and we each appreciate everybody else and the way that they contribute to that.” 

While 2019’s acclaimed Tree of Shade tapped Simon Felice as producer, the band opted to self-produce this latest effort, leaning into their creative impulses and striving to capture their distinctive live energy. Figuring out how to channel that on-stage intensity into a recording has actually, in many ways, been a lesson in restraint. “When I look back at the things we were writing and playing, oh, I don’t know, 10, 12 years ago, they were really arranged: a lot of you do this here, we’re going to do this there, we’re going to break down, we’re going to do a big build,” Claire explains. “These days, it’s more like, ‘Let’s play the song and just see what happens.’”

This approach makes all the more sense when you consider Driftwood’s live shows, which operate not only as effervescent, twang-studded musical parties, but also as reunions for their throng of devoted listeners—folks who have started to feel less like fans and more like something bigger. “They’re supporters. They’re friends,” explains Joe. “It’s crazy how much love we’ve got and how many wild situations on the road we’ve gotten out of because of those people.” Many of them are quite literally invested in the band’s future: December Last Call was a crowd-funded effort, and it wasn’t the band’s first. It’s as if every listener, ticketbuyer, album backer, and general band evangelist is in on Driftwood’s biggest secret: this whole band thing has endured for nearly two decades because it offers a kind of community you can’t get just anywhere.

“Driftwood is basically a beautiful friendship that happens to play music together,” says Joe. “I know it’s rare. I know I’m lucky to know these people and lean on them and go through these massive life changes together.” For Driftwood, each song is like a journal entry: cathartic to create, yes, but capable of unlocking new lessons—and when shared—forging new bonds. “We’re communal, right? Humans need to be connected,” Joe says. “And we get to have this special thing.”

As a band that strives to maintain a healthy equilibrium between their diverse musical backgrounds and the traditional Appalachian sounds, they have wowed audiences across the entire spectrum. This progressively minded Bluegrass act truly feels at home on any stage. They’ve provided direct support for bluegrass legends such as The Seldom Scene, Frank Solivan and Dirty Kitchen, Yonder Mountain String Band and Larry Keel. On the other side of that coin, they aren’t afraid to get weird at a late night festival slot and have become well known for their tastefully balanced and refreshingly diverse song-writing. Catch their live show and you’ll be sure to receive a full helping of hard-driving bluegrass favorites and heart-wrenching country ballads. Dig into their recorded originals, however, and you’ll find tracks ranging from thoughtful folk lyricism to gritty tales of harrowing adventure.

The Plate Scrapers’ passion for bluegrass and performing shines through their music and performances.  Such is evident in their musical prowess and creative chemistry on stage, guaranteeing a unique and immersive experience each time. The band continues to be fueled by loyal fans and an unrelenting drive to continue moving forward…casually.

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The second annual Ghost Town Music Festival

Presented by Smilo & The Ghost, Big Rail Brewing Company, and Blue Moon Management

Ghost Town Music Festival takes place August 8th for a full day of music and community.

Gates open at 11:00 AM, with live music starting at 12:00 noon. Enjoy great bands, local vendors, food trucks, and an easy going outdoor atmosphere built around good vibes and connection.

All ages welcome. Rain or shine.

Lineup

Main Stage Acts:

• Smilo & The Ghost
• Jeremy Pinnell
• Paul McDonald & The Mourning Doves
• Magnolia Boulevard
• Bill Taylor

Shack Stage Acts:

• Colton Bowlin
• Joshua Milligan
• Coltt Winter Lepley
• Gracie Yates & Brock Burton
• Charity Nuse

Music All Day

Big Rail’s beer garden gates will open at 11am.… come early so you can get a cozy spot for the day.

The music starts at 12 noon. We’ll have two alternating stages going, so the music will run non-stop until the festival ends at 10pm. The full schedule will be announced prior to the show.

The VIP Experience

The Ghost Town Music Festival VIP experience is limited to just 35 passes and is designed for those who want to settle in early and soak up every part of the day.

VIP guests receive early access to the grounds, first crack at merch lines, and the freedom to choose the perfect spot to post up for the festival. You’ll get a VIP lanyard and an exclusive invitation to sound check with our headliners, including an early tune or two before the day officially begins.

VIP also includes a free 22oz bomber of the first-ever Ghost Town Beer (style to be announced), a commemorative Ghost Town beverage glass, a Ghost Town koozie and sticker, and a concert poster signed by available artists.

Limited. Intimate. Unforgettable.

Tickets for this event are non-refundable. Read our FAQs.